Oil on gessoed 300lb watercolour paper, 15 x 11 inches.
Currently available. Please message me if interested in this painting, thanks!
email: vermassa@gmail.com
phone: (289) 213-2472
Oil on canvas, 46 x 40 inches.
This painting is currently available. Please contact me if you are interested in this piece:
email: vermassa@gmail.com
phone: (289) 213-2472
Oil on canvas, 54 x 48 inches. SOLD
This is the first of three canvases based on Jan Vermeer's painting Woman with a Water Jug from 1662. The next two in the series become progressively more abstracted and can be seen in the next images here on my website. The size of the original Vermeer is the same as the size of the map in my painting in the upper right corner.
Oil, acrylic, and marker on canvas, 54 x 48 inches. SOLD
A continuation of my first series of working in a contemporary abstracted style from Jan Vermeer. After the 3 painting series before this one with being inspired by his Woman with a Water Jug, this and the next two canvases were based on Vermeer's painting The Milkmaid from 1658.
Oil, acrylic, and marker on canvas, 54 x 48 inches. SOLD
This piece is one of three based on The Milkmaid from 1658. I had intended it to have a more classical feel, but the painting took its own turns. As I was working in my sketchbook figuring out direction on the piece, I kept scrawling in different ways a name I made up based on a feminized hybrid of Vermeer and Picasso (due to the harlequin pattern that ended up on the right arm of the figure in this painting). I decided to scrawl it onto the lower right section of the canvas to reinforce the composition and stay true to process. As a side note, when trying to get a gmail address later, and having all of the versions on my own name seemingly unavailable, I used 'Vermassa' instead, and continue to do so to this day.
Oil and acrylic on canvas, 54 x 48 inches.
Currently available. Please message me if interested in this painting, thanks!
email: vermassa@gmail.com
phone: (289) 213-2472
Oil, acrylic, and paint marker on gessoed 300lb watercolour paper,
15 x 11 inches.
This is one of a series of 22 Lucky Kats that were created on an extended visit back to New York City after having lived and studied there for 5 years before moving back to Canada.
This painting is currently available. Please contact me if you are interested in this piece, thanks:
email: vermassa@gmail.com
Phone: (289) 213-2472
Mixed drawing materials on paper, 13 1/2 x 10 1/2 inches.
Currently available. Please message me if interested in this painting, thanks!
email: vermassa@gmail.com
phone: (289) 213-2472
Mixed drawing materials on buff toned paper, 11 x 8 1/2 inches. Unavailable
Based on one of my best friends, Jens Hedin, from art student days at the Art Students League in New York City. You can check out his amazing paintings here: www.jenshedin.be
Mixed drawing materials on paper, 13 1/2 x 10 1/2 inches.
Currently available. Please message me if interested in this painting, thanks!
email: vermassa@gmail.com
phone: (289) 213-2472
Mixed drawing materials on paper, 13 1/2 x 10 1/2 inches.
Currently available. Please message me if interested in this painting, thanks!
email: vermassa@gmail.com
phone: (289) 213-2472
Watercolour and mixed drawing materials on w/c paper, around 12 x 9 inches. SOLD
Mixed drawing materials on watercolour paper, 22 x 18 inches.
Currently available. Please message me if interested in this painting, thanks!
email: vermassa@gmail.com
phone: (289) 213-2472
Paint and marker on watercolour paper, 10 x 11 inches.
Currently available. Please message me if interested in this painting, thanks!
email: vermassa@gmail.com
phone: (289) 213-2472
Oil on canvas, 60 x 60 inches. SOLD
The figure in this painting is based on Rita Visser, Canadian singer/songwriter. You can check out her music here: Leapin.
Oil on canvas, 44 x 80 inches. SOLD
Oil on canvas, 80 x 44 inches. SOLD
During a trip back to NYC, I stood in front of a body of German jousting armour making sketches in the amazing collection of the Metropolitan Museum of Art. These drawings in a tiny moleskine sketchbook became the reference material for this large canvas when I returned to my studio in Toronto. This painting guarded many doors of homes we moved to over the years after, as a sort of icon of protective energy.